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Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Monday, October 17, 2011

Robot movie "Real Steel" tops box office again


Australian actor Hugh Jackman poses during a photocall in Munich September 12, 2011 to promote the film ''Real Steel''. The movie will premiere in Germany on November 10, 2011. REUTERS/Michaela Rehle(Reuters) - Boxing robot movie "Real Steel" won the domestic box office for the second straight weekend, edging a remake of 1980s dance classic "Footloose."

"Real Steel" brought in about $16.3 million at U.S. and Canadian theaters, according to studio estimates released on Sunday. The action movie starring Hugh Jackman landed slightly ahead of "Footloose," which brought in an estimated $16.1 million.

Third place went to horror movie "The Thing" with $8.7 million.

"Real Steel" was produced by DreamWorks and distributed by Walt Disney Co. "Footloose" was released by Paramount Pictures, a unit of Viacom Inc. Universal Pictures, a unit of Comcast Corp, distributed "The Thing."

Sunday, September 11, 2011

Brad Pitt aims for home run with "Moneyball"


(Reuters) - Brad Pitt has turned to the insular world of baseball economics for his latest movie and yet the Hollywood heavyweight is a relative rookie in terms of obsessing over one of America's great pastimes.
The A-list actor is one of the top draws this week at the Toronto International Film Festival for the launch of his new drama, "Moneyball." He plays Billy Beane, the real-life general manager of Major League Baseball's Oakland A's, who is famed for reinventing the game by running a competitive team in a cost-effective way.
Pitt told Reuters that he learned to appreciate the nuances and complexities of the game while making the movie, helped by several meetings with 49-year-old Beane, but he is not your typical baseball fanatic.
"It's shameful how little I know about baseball, but what I know about it, I got -- it was a pop fly in the fourth grade -- 18 stitches," he told Reuters, referring to getting hit by ball when he was just a kid, opening a flesh wound.
"I find it really tranquil when it is on (TV) in the background now...There is a reason why it has become our national pastime. It's a team sport yet at the same time it is an individual battle."
The film's creators want movie audiences to see that "Moneyball" is not just another tale in the vein of "The Natural," "Major league" or other baseball films that have become ubiquitous in U.S. theaters.
They are banking on Pitt, 47, to transform Beane's use of bland statistics and mathematical tables into entertaining movie fare. And for that, they've tailored the story of the Oakland A's into a tale of beating the odds.
"We are always looking for undercurrents in films, what is going on underneath it," Pitt said, adding that "Moneyball" is "much more than a baseball film" and more of "an underdog story. You have a justice story."
AN UNDERDOG'S TALE
The film with a budget of $47 million was adapted by Steven Zaillian and Aaron Sorkin, the Oscar-winning screenwriter of "The Social Network," from the Michael Lewis book "Moneyball: The Art of Winning an Unfair Game.
It begins with Beane coming off a highly successful 2001 season where the small market A's lost baseball stars including Jason Giambi and Johnny Damon to big city teams with lots of money such as the New York Yankees and Boston Red Sox.
Beane recruits an unathletic Yale graduate, Peter Brand (played by Jonah Hill), and the unlikely duo push a novel approach of using statistics to scout players who will create a competitive team at far less cost.
It may seem like inside baseball to some, but Pitt and Hill said the story of Beane and Brand should appeal broadly to moviegoers who aren't necessarily fans of the game.
Hill said he showed it to friends "who couldn't care less about baseball and they all adored it...It is really about values and underdogs and life choices."
Pitt believes that, statistics aside, the spontaneity of the game which lures fans to ballparks isn't lost in the film.
"These guys apply science to it and yet the magical happens when you least expect it, which was true for their season," he said. "It's a magical game, no question."
Early reviews have been generally favorable. The Hollywood Reporter said the movie "looks good perhaps not for a home run but certainly a long double or even an exciting scoot around the bases for a head-first triple."
Daily Variety compared it to Sorkin's "Social Network," saying "the story isn't as electrifying. 'The Social Network' was about a highly unusual alpha dog; Moneyball is the story of a highly unusual underdog. No one remakes the world here. But someone does remake the grand old American game of baseball."

Friday, July 22, 2011

Five Reasons You Need To See 'Captain America: The First Avenger'



"Captain America: The First Avenger" is the last of the big four Avengers to throw himself at the big-screen before next summer's major Marvel Studios event, and he doesn't disappoint. If you were worried about how the star-spangled superhero would translate from paneled page to live-action (especially after that '90s-movie-that-must-not-be-referenced-again), worry no more: the movie is great and absolutely worth the wait.


After the jump, check out five reasons why you need to catch "The First Avenger" this weekend!


Weaving Evil As if this wasn't already a given before the movie, you can now officially add another excellent villain to Hugo Weaving's already extensive list of fantastically memorable on-screen bad guys in the form of Johann Schmidt, better known as Red Skull. The HYDRA leader is ruthless, determined and ugly as sin — the perfect recipe for silver screen sadism.The Joneses Weaving is great, but I would split the film's best acting honors between Tommy Lee Jones and Toby Jones as Colonel Chester Phillips and Doctor Arnim Zola, respectively. The two aren't given the flashiest roles in the movie, but Tommy's loud performance and Toby's quiet one are two of the best takeaways from "Cap." Added bonus: the two share one-on-one screen time later in the film that is 100% scenery chewing. And maybe some steak chewing as well.When Captain America Throws His Mighty Shield Chris Evans does a great job as Steve Rogers, first giving us a clever and resourceful underdog to root for in Skinny Steve, and later a heavily muscled and astonishingly athletic hero in the form of Cap. But the character is clearly at his best when he's allowed to beat down bad guys without pausing to take their names. Cap's action sequences are impossible to look away from, providing fans with several stand-and-cheer moments that mostly revolve around utilizing Cap's shield as a bludgeon or projectile. For whatever faults the film has (and it does have a few), Cap's action scenes are not among them.Long Time Coming "The First Avenger" stretches out over a long period of time — not just in terms of modern-day bookending, but also in the context of World War II itself. Cap is given several years to grow into his own as a superhero, making him one of the most confident and experienced of the Marvel Studios heroes thus far (save for Thor, who's been hammering gods since he was in Asgardian diapers). The period work itself is fantastic to behold, which is another reason why Cap's long expanse of time is such a delight: it means that if we get a "First Avenger" sequel, we're practically guaranteed a return to the front lines of World War II, if only in flashback form."Avengers" Almost Assembled This one's a gimme, isn't it? "Captain America" is the final piece of the puzzle before next summer's "Avengers." It's taken a long time to get to this point, but now, we're finally on the eve of release — or close enough, anyway. Cap doesn't disappoint on the long road towards Earth's Mightiest Heroes hitting the big screen, and seeing his first adventures in all their live-action glory is going to be absolutely essential to appreciating the whole of "Avengers." For that reason alone — but also for many others — "Captain America" is a must-see for superhero fans.

Ridley Scott returns to sci-fi with 'Prometheus'

Because he's so synonymous with the genre, it may be hard to believe that it's been nearly 30 years since director Ridley Scott last visited science fiction with 1982'sBlade Runner.

Well, he's baaaaaack.



In the 20th Century Fox Comic-Con panel moderated Lost co-creator Damon Lindelof, Scott checked in by live video feed from Iceland, where he's filming next year's Prometheus. The studio also debuted a sizzle reel of footage, with space shots, creepy situations and what seemed to be Charlize Theron doing "naked pushups."


Theron took the Hall H stage -- where Lindelof (also aPrometheus co-writer) joked that her naked pushups were pandering to the mostly male audience - and she talked about her shadowy character, which she described as a "suit." "She's the machine that runs the machine that takes this mission into space," Theron said.


Also starring Idris Elba, Michael Fassbender and Noomi Rapace (of the Swedish Girl With the Dragon Tattoo films),Prometheus was a mystery to many before the panel - and still is, to a degree. Scott said that there is DNA of his 1979 sci-fi classic Alien in Prometheus, "but everything else is original." He cryptically said there was one question posed in Alien that was never answered, and that audiences "will understand in the last few minutes of the film."


One thing that is for sure: The man loves his 3D. Scott's filmingPrometheus in digital 3D and built real sets instead of using computer effects. "I'll never work without 3D again, even the small dialogue scenes."


Also at the Fox panel, director Andrew Niccol debuted footage from his sci-fi- thriller In Time, and his stars Justin Timberlake and Amanda Seyfried joked about wielding guns in the movie. "We sometimes went shooting after hours," Seyfried said.


And to finish the presentation, director Rupert Wyatt showed new footage from Rise of the Planet of the Apes featuring Andy Serkis in his motion-capture suit and facial-capture head contraption that allows him to become the simian Caesar on screen.


He'd just flown in from New Zealand from filming Peter Jackson's The Hobbit. He said he's finished 60 days and still has 200 days, mostly the second-unit director. Serkis also has completed all his performance-capture work reprising his Lord of the Rings role, Gollum.


"Performance capture is only anothr way of capturing an actor's performance," he said. "It's just another tool."